A Story in Progress
The endeavor of this page is to remind myself of where the Taneko project all began, everything that I’ve accomplished and can be proud of, and that this—as well as life in general—is a story in progress.
2014
At the tail-end of this year, a stray cat wandered into my life. I’d never had a cat before because of my allergies as a kid. Other than thinking cats are generally cute, I’d often regarded them as aloof (and kept my distance because of said allergies). But this cat was very friendly and outgoing, keen to walking up to people and saying hello. My ex and I named him Takoyaki, or Tako for short. The first night I met him, he slept under my bed all night and my face didn’t melt off! He inspired me to make a Taneko for my own personal amusement—and you might say he’s the first octo-puss.
2015
During my graphic design schooling, my concurrent coursework in packaging and brand identity design inspired me to explore Taneko as a fun, hypothetical product with no limits on colors. I loved playing with color palettes and reasoned that the qualities of cats and octopi would obviously result in a myriad of colors. Taneko also reflected my enjoyment of cosplay: surely dressing up as other characters is an easier venture for a creature capable of biomimicry? Eventually, from my color experiments, I had a small mound of Tanekos. So despite this starting off as a pretend product line for fun, I listed them for the first time on my Etsy—and got my first orders!
2016
Influenced by my newly-honed skills in web design and front-end HTML, CSS, and JS programming languages, I decided to design and build my own website to dedicate to my Taneko endeavors; mostly for fun and practice, but also because it was getting harder to organize my fine art, graphic design, and Taneko silliness, all of which felt at odds with each other. After researching different platforms, fees, and what would best suit my needs, I launched my Storenvy shop to separate from my fine art on Etsy. I started treating this project as a more earnest effort and gave real thought to crafting a brand experience: updating my brand colors, investing in a logo stamp and shipping boxes, printing business cards beyond my home printer, and investing in quality product photography (from my partner, Jordan)!
I partook in my first art and craft fairs with Taneko, under the nudge of my friend, who wanted to split a booth table with me at Downriver Indie Craft Fair hosted by Downriver Council for the Arts (DC4A). This was Taneko’s first event! It was a fun time—turns out, selling colorful plush toys is a lot better an experience than putting your thoughts, feelings, and vulnerabilities on the line trying to sell fine art photography. Because of that, I decided to try Chestnut Art Mart, also hosted by DC4A. It was great meeting so many people and seeing how happy Taneko made them (even the stoic father who gave a clandenstine head-boop to Taneko and smiled to himself about it). I also got my first wholesale order from this show! After this, I decided I need to make a booth banner (with reversible light and dark modes), and got to try it out at Tiny Expo.
This year, I gained a lot of momentum exploring more fabric colors for Taneko in preparation for my events. It led to my first “studio”—a dedicated bookshelf for my inventory, materials, and packaging. Taneko also became a “grounding object” at my friend’s therapy office: this was the first time I realized I could make an actually positive impact on others with something as simple and silly as a smiling plush character. This year’s growth inspired me to explore puns, wordplay, and characters beyond Taneko the Octo-puss.
2017
I explored a lot more cosplay through Taneko, and had fun with Halloween-inspired ideas and screen printing. I’d never really baked before (maybe the odd cookie or bread with other friends leading the charge) and felt the urge to try baked goods via sewing—and putting these on Tako and Jordan. This year, I also got my first custom plushie commission!
I returned to Downriver Indie Craft Fair and Tiny Expo, and tried out Oddmall. Because it had a larger booth spot, it forced me to consider better layouts, including investing in a professional artist tent, which I got to bring to Chestnut Art Mart for the first time. This year, I traveled to Chicago for Catzilla, both the smallest show and furthest I’ve traveled for one.
2018
I did a lot of new and exciting things this year! I made my first enamel pins and stickers, invented several new plush friends, received a commission for a complete Hogwarts Taneko set, and started my black walnut painted illustration series (carbon paper is really cool). I also got into animation techniques.
I finally made it into Motor City Comic Con (MC3)! This was my first time sewing so much for a show. I also got to be part of Youmacon’s artist alley, a show I’d attended a number of times in the past, and returned to Chestnut Art Mart and Tiny Expo. I got accepted to partake at Wild About Art, a unique art fair held at the Toledo Zoo—they put me across from the aquarium and penguins, which was fun and fitting! My friend was my assistant for one of the days; when it was busy, she told people “careful, it’s a zoo out there” but it may’ve been too hot for people to catch the pun.
Due to my goals and progress this year, I felt it was worthwhile to turn my office-and-plant room into a studio, dedicating more than just one bookshelf and a table to my sewing. I gave my room an entire makeover: painted walls, put up fabric shelves, and made a pegboard for my tools. I also finally decided to move my Taneko adventures away from my main Instagram art account, creating a dedicated social media presence for Taneko Says Hello.
2019
This year, I took on the daunting challenge of refining my logo and brand colors (the most difficult branding project is doing it for yourself). I updated my business cards with my new color palette and made my first screen printed tote bags. This year marked the first time I made something “bearry” related for a friend’s card. Notably, I also made my first Repurposed Porpoises and I’m proud to say it’s the last time I threw away fabric scraps.
I had several fun events this year! I returned to Chestnut Art Mart, MC3, and Tiny Expo, and got to do a cute little event called Washi Con. I also finally got accepted to DIYpsi! After several previous rejections, this was really exciting—and I got my first non-plush wholesale order here!
2020
Amidst the challenges, frustrations, and fear of this year, the forced shutdowns actually gave me space to be creative and work on my backlog of ideas. I invented many plush friends, made my first DIY kit, and got several custom plushie commissions from return customers who wanted to help keep Taneko afloat, which was really touching and meant a lot to me as we were all going through something difficult.
Like many people, this year, I found a lot of solace in gardening and I did a lot of real baking, trying my hand at pineapple buns, fancy plaited star bread, an actual princesstarta (to go with my sewn one), and many others. It was fitting that, before we learned about COVID-19 (and still thought we were going to have a normal year), I had my first pop-up at Matty J’s Bakery! I also experienced being a vendor at a fully virtual event, CatCon. Related to baking, I started exploring surface pattern design, effectively "baking along" with my office colleagues as we watched the latest Great British Bake Off together. Although this season did sour my enjoyment of the show to the point I’ve stopped watching, I am proud of my sass to them.
I made an effort to practice active gratitude this year, hand-writing “thank you” messages to USPS, and sending end-of-year cards to all customers who supported my art in spite of this difficult time.
2021
Due to the continued shutdown, I spent most of the year pursuing creative ideas. I made face masks with my friend, worked with fluffy faux fur for the first time (the masks came in handy for the amount of shedding this fabric did), made characters from the video game Pode, paper ornament kits, and had some really fun commissions.
Although socializing was limited, I did have my first successful Instagram “story sale,” partnered with Matty J’s Bakery to make a plush art installation, and made the only TikTok video I liked with a handmade dancing Bibimbap. The owners of Booksweet reached out to me for a plushie and merch wholesale partnership, and I also had my only event of the year, the fall edition of MC3, which was my most successful event so far!
I faced the harrowing task of redesigning a new logomark that’s the actual business name (I’d never been able to reconcile my “Taneko”-only logo when my website is at “Taneko Says Hello,” so I’d been avoiding this for years). But I finally made something I like! I also finally explored handmade tags, another thing I’d been considering for a long time and felt unsure about, and made significant updates to my website.
2022
I’m proud that I launched a new greeting card product line with a collection of twelve designs. I also explored new “flavors” for plushies to have fun playing with color, and created my first soft sculpture “A Pot of Cactus Cats” for Artprize. I continued to refine my brand through my website design; such as updating the UI of my buttons and their interactions. And I got to work with Sharks4Kids through a wholesale partnership!
In celebration of the return of events, I created a new booth banner! I was so excited to return to MC3, DIYpsi, and Tiny Expo, as well as to try a couple new shows, Maker’s Mart at Handmade Toledo and Midnight Madness at Cahoots. I also did my first big show by myself without Jordan’s assistance—and with the longest hours (ending at midnight on two of the three days!) so I needed to think of a night-time booth mode.
Finally, the end of this year was a rollercoaster of emotions: Tako went missing for three weeks, and I honestly feared I would never see him again. Against all odds, he found his way back by following some strangers home and hitching a ride to the vet where they scanned his microchip and alerted me! I’ll be forever grateful to the people who found him, and for Tako’s friendly nature.
2023
Although I’d hoped my big cactus pot sculpture could find a home as-is, I suspect it was too large—the same goes for me: I didn’t have room to keep it forever in my small home. Thus, I decided to dismantle the whole thing, which was surprisingly liberating, and I turned them into smaller soft sculpture pots instead. Though I shrank my big sculpture, a few other big things and changes happened instead: I finally moved away from an image carousel on my website homepage (a major design change), I won the Spoonflower Small Business Grant, and I was selected to make the featured artist event poster for Tiny Expo!
I was invited to apply and participate in the inaugural Ann Arbor Fiber Arts Expo (AAFAX), which was a great time (and wonderful place to share my cactus pot sculpture before I took it apart). I also got to be a first-time vendor at Ziggy’s Holiday Market and Frankenfest. I’d been wanting to improve my display for some time, and find a way to make my set up more professional while being able to display more of the plush friends I’ve created over the years. Therefore, I invested in a new shelf, which I brought to several shows, including the ones I was excited to return to: MC3, DIYpsi, and Tiny Expo.
2024
I scaled back my Taneko work this year because I made the big decision to undergo a whole-home renovation. It made me feel a wide range of emotions—excitement, sadness, wistfulness, hope, nostalgia—to pack up my studio and prepare it for demolition. However, I did get to collaborate with other businesses, Substrate Coffee and Pure Stitch Magic, and got commissioned to make the frilled Dilo Dino from Jurassic Park. I challenged myself and am proud of my dragonfly wall art sculptures for The Year of the Dragon. I also finally completed “Drawtober” as a collection of sewn creatures following this year’s prompts. Lastly, I did a serious reevaluation of my website and how to improve its navigation and organization, as well as how to add a little motion design and fun!
Before starting on the renovation, I did get to return to AAFAX and MC3, and I got to do South Haven Art Fair for the first time, a show Jordan has been wanting to try with me for a while (it’s the most beautiful site for an event I’ve been to). I closed out the year with Tiny Expo, which was admittedly not-so-tiny: they doubled the participating artists and expanded to two floors!
2025
Two exciting and nerve-wracking things happened this year: I was invited to speak on my first artist panel for Washtenaw Community College’s Arts Career Forum, and to create and run my first workschop with kids at the A2AC Summer Camp! Additionally, it seemed miraculous to get several custom plushie commissions—especially with quite a bit of artistic freedom. I’d also been contemplating some kind of spin-off to Taneko Says Hello: Taneko Says Hell No (maybe for all the times being cute isn’t enough and you need some real no-nonsense sass to go with it). Serendipitously, I got to work on a comic book partnership with the Can’t Win Victory Fund, where I got to contribute my illustration and storytelling skills to push back against the political climate, and this became my forray with my sub-brand. In parallel to work for others, I enjoyed some projects for myself as well: reworking my Bearry template and making my first sewing pattern to share with others. And I learned that plushies swaddled with gift wrap are absolutely adorable!
I was fortunate to return to AAFAX, MC3, and Tiny Expo again—these three have become my favorite staple shows. This year, I traveled the furthest I’ve ever gone for a show: Heroes Con in North Carolina. I also got to partner with Vault of Midnight, a comic bookstore, for a solo pop-up event; I’d been meaning to ask them for years and I’m so happy they agreed! Both of these events were a lot of fun and very fitting with my comic book project; it felt like a motif for this year.
In all truthfulness, this year was very troubling, trying, and an all-around difficult struggle; that’s unfortunately been a common theme for many people too. The most direct pain-point for Taneko was my (still ongoing) home renovation, which was supposed to be completed within 5 months: the end of this year marked 17 months of not having my home and studio. However, in times of struggle, people find a way to come together. I received so much help from friends, neighbors, and family as I learned my way through new skills—I have peace of mind that I insulated every square inch of my walls, and installing hardwood floors was actually pretty fun! I wanted to pass along my gratitude, so when my friend shared she was collecting art donations to fundraise for Food Gatherers, I did my best to contribute.
Dear future-Sophia,
For the times that you’re feeling not enough, that you haven’t accomplished what you set out to do, I hope this chronicle will remind you of the ample proof of all you’ve achieved through Taneko Says Hello. You’ve stuck with this project for over a decade—this kind of dedication and persistence is not as common as we once believed.
Make sure to take breaks, and extend the same kindness and encouragement you do to others to yourself as well. Yes, there will be setbacks and sometimes things will not proceed in the way we imagined they would. However, remember that the entirety of life is always a story in progress, and you are the author who is still writing how it unfolds.
May seeing all this again cheer you on!
Your past-Self
“A Story in Progress” by Sophia Adalaine Zhou, December 2014
PS. Lastly, everyone is more connected than we think, so remember all the people (and animals) you’ve met along the way, and all the silly, good times and comfort your art brought to their lives!